Swathed in hundreds of yards of striped fabric, The Blue Room is both backdrop and proposition: a place where lines blur and roles dissolve. Artist Aleksandar Duravcevic appears mid-thought, mid-motion—off the clock, yet unmistakably at work. The garments are seasonless, the materials grounding. Here, the shirt is uniform, the stripe is ritual, and the room becomes a garment of its own.

Created in collaboration with Episode, the Clock Lamps mark the passage of time not by ticking, but by glowing. Wrapped in the same striped fabric that drapes the walls and garments, they flatten the distinction between object and setting, light and cloth, form and function. As sculpture, they speak to stillness; as lighting, to the quiet persistence of work. Whether you're on or off the clock, they remain—watchful, warm, unwavering. Made in a limited edition, exclusively for Spring–Summer 2025.

Standing atop a plinth, curator Ysabel Pinyol Blasi becomes both subject and object—a figure of authority caught in a moment of stillness. Wearing the Linen Denim Suit, her silhouette echoes the draped architecture of the space: relaxed, rigorous, exacting. Whether in motion or pause, the piece holds its form. On the clock or not, this is a wardrobe of presence.

MATERIAL is the MESSAGE

Each object in this world begins with material: striped cotton, linen denim, Kashmiri pashmina, polished steel. Whether cut into a jacket or poured over a room, material renders time elastic. What appears casual is deliberate. What feels ephemeral is built to last. This season, William White collapses the distinction between home and clothing, object and image.